#Strongwomen. "I write about the power of trying, because I want to be okay with failing. I write about generosity because I battle selfishness. I write about joy because I know sorrow. I write about faith because I almost lost mine, and I know what it is to be broken and in need of redemption. I write about gratitude because I am thankful – for all of it." Kristin Armstrong
On the other hand believe it or not some very influential ( at the time ) rural press journalists and the stale, pale, male fraternity farmers on Twitter were very determined to assure the world these young people didn’t represent them.
Last night these two young people took out the Youth as Changemakers Award at the NSW Banksia Awards
In fact half the award winners last night came from the agriculture sector. I am so grateful these young people had the determination and grit to stand up for what they believe in and inspire others to flex their courage muscle
And then there was this
Two of the four finalists in the Ministers Young Climate Champions Award were Kreative Koalas schools with St Brigid’s Primary School being named the winner
It is such a joy to work with young people. It is such a joy to work with their teachers. Extraordinary humans like the team at St Brigid’s and the Centre of Excellence
Hon. Matt Kean announcing the Ministers Young Climate Champion Award
Whoever inspires you. Just keep channeling their mantra
“Just keep going”
“If I knew how hard it was I would never have started”
“If you believe in your heart that you need to do something, and you know in your heart it’s right… and especially when you’re in a position to make the change, you can’t back away from it,”
“If you believe in your heart that you need to do something, and you know in your heart it’s right… and especially when you’re in a position to make the change, you can’t back away from it,” Alison Mirams
As reported in the Stock and Land “Dairy Australia has launched a national marketing campaign to attract new workers to the industry, after a survey found 25 per cent of farmers were unable to find labour or access workers with the required skills.
The survey found 22pc cent of farmers were unable to fill vacant positions, within three months, and 40pc had lost one, or more staff, in the 12 months prior to the survey.
The campaign, through television, radio, social and digital promotion beamed into dairy regions, kicked off on Saturday. See extract of article at the bottom of this post”
The conversations were interesting. Despite the keynote being a woman and the industry recognising attracting and retaining women could help address its workforce shortage ( 12.7% of construction industries people are women – same as 35 years ago) the sponsor representative used predominantly male language – “the guys in hi vis” the “blokes in the offices”
Stats like 1550 insolvencies and high rates of suicide (190 ppl) per annum are heartbreaking. Young construction workers are ten times more likely to die by suicide than die from a workplace accident on a construction site.
Alison is on a mission to change the Culture Standard and is the chief crusader for the industry to have a 5 day working week.- Project 5 – A weekend for every worker Her message is “People are our Greatest Resource”. When we look after the health and wellbeing of our people they will be more productive and she is working with the University of NSW to measure this. It hasn’t been easy with 75 rain days between Jan and July seeing a 54% productivity drop.
Getting back to the dairy industry and agriculture in general, my personal experience and 20 years of working with young people in the sector and in schools has shown me people want rewarding jobs where they feel the work they do makes a difference and they are valued for their contribution. In a world where young people’s career choices are more and more driven by their values I think Alison Mirams has got it right. We need to start with the elephant in the room – if you are going to employ people then firstly you need to be prepared to gain the 21st century skills that will earn your business top marks for “GREAT PLACE TO WORK”
We need to understand what drives people to make the career decisions they make.
Before we start spending mega bucks on marketing campaigns lets all ensure our industries are them image we want the world to see
We need to show we care.
In reality lets be honest the first stage ( not the last stage) would be upskilling employers ( see Dairy Australia stage process below )
It doesn’t matter what industry we are currently in there is a scarcity of labour in an overemployed market and I was heartened yesterday by the number of times the panel mentioned the power of collaboration
“If you believe in your heart that you need to do something, and you know in your heart it’s right… and especially when you’re in a position to make the change, you can’t back away from it,” Alison Mirams
DA regional services general manager Verity Ingham said the issue had been compounded by COVID-19 and the nationwide skills shortage, across a range of sectors beyond agriculture.
The campaign would promote the benefits of working in dairy farming and encourage Australians to explore a job in dairy.
Featuring dairy ambassador Jonathan Brown and seven dairy farmers, the campaign showcases why working in dairy matters, highlighting factors that have been shown to motivate people to consider a job in dairy.
“Competition for jobseekers in regional areas is fierce, so finding good, reliable people is a priority for dairy farmers,” Ms Ingham said.
“Keeping them is just as important.
“We need workers on our farms to keep the milk flowing, the cheese on tables, the yoghurt in our lunchboxes and we really are looking for people who want job security, who like working with and caring for animals; people who are looking for variety, flexibility in their work life or wanting career progression.”
Ms Ingham said coronavirus had an impact on both international and cross-border workers.
“Because there is such a range of jobs on dairy farms, closing international and state borders really stopped that flow of employees across the nation,” she said.
“Dairies are traditionally a place for that backpacker market and it burst quite quickly.”
DA looked to local markets but found many potential workers didn’t know what was required on farms.
Ms Ingham said the advertising campaign was the first step in a four-pronged approach to attracting, and retaining, workers.
“We’re going out into regional areas looking for non-traditional workers in the dairy industry, so not necessarily poaching from the beef or sheep farm, next door,” she said.
This would be followed by career education about dairy for school, university and TAFE students.
“The third and fourth parts are around supporting our farmers, connecting them with job agencies and places where there are job seekers,” she said.
“We’ll also be skilling the job agencies, so they know about dairy, and then connecting our farmers into those networks.”
The last stage would be skilling farmers in how to employ new staff
“It’s a little bit like becoming a cafe owner – you don’t necessarily start the cafe with looking for staff, you do it because you love coffee and cake,” Ms Ingham said.
“Farmers are often getting into farming, or even succession, because they love the outdoors, putting food on the table for the nation and animals – not necessarily to employ people.”.
DA was also setting up a pre-employment program, she said.
“We are working with those job agencies and networks, in terms of making sure that anybody who hasn’t been on a farm, or who has very little experience on farms, gets those really core skills,” she said.
“Once they land on dairy farms, they have got some of those basic skills, in terms of a skill set they need.”
.. the traditional dairy sector must recognise it’s on the cusp of pivotal change. In the face of multiple threats, it should maximise the social benefits of both animal-based dairy and minimise its contribution to climate change. Milena Bojovic PhD Candidate at Macquarie University.
What does the future hold for our rural amenity and the role the cows play in it?
By 1976 Kodak accounted for 90% of film and 85% of camera sales in America. Until the 1990s it was regularly rated one of the world’s five most valuable brands.
Then came digital photography to replace film, and smartphones to replace cameras. Kodak’s revenues peaked at nearly $16 billion in 1996 and its profits at $2.5 billion in 1999. The consensus forecast by analysts is that its revenues in 2011 were $6.2 billion. It recently reported a third-quarter loss of $222m, the ninth quarterly loss in three years. In 1988, Kodak employed over 145,000 workers worldwide; at the last count, barely one-tenth as many. Its share price has fallen by nearly 90% in the past year (see chart).
For weeks, rumours have swirled around Rochester, the company town that Kodak still dominates, that unless the firm quickly sells its portfolio of intellectual property, it will go bust. Two announcements on January 10th—that it is restructuring into two business units and suing Apple and HTC over various alleged patent infringements—gave hope to optimists. But the restructuring could be in preparation for Chapter 11 bankruptcy.
While Kodak suffers, its long-time rival Fujifilm is doing rather well. The two firms have much in common. Both enjoyed lucrative near-monopolies of their home markets: Kodak selling film in America, Fujifilm in Japan. A good deal of the trade friction during the 1990s between America and Japan sprang from Kodak’s desire to keep cheap Japanese film off its patch.
Both firms saw their traditional business rendered obsolete. But whereas Kodak has so far failed to adapt adequately, Fujifilm has transformed itself into a solidly profitable business, with a market capitalisation, even after a rough year, of some $12.6 billion to Kodak’s $220m. Why did these two firms fare so differently?
Both saw change coming. Larry Matteson, a former Kodak executive who now teaches at the University of Rochester’s Simon School of Business, recalls writing a report in 1979 detailing, fairly accurately, how different parts of the market would switch from film to digital, starting with government reconnaissance, then professional photography and finally the mass market, all by 2010. He was only a few years out.
Fujifilm, too, saw omens of digital doom as early as the 1980s. It developed a three-pronged strategy: to squeeze as much money out of the film business as possible, to prepare for the switch to digital and to develop new business lines.
Both firms realised that digital photography itself would not be very profitable. “Wise businesspeople concluded that it was best not to hurry to switch from making 70 cents on the dollar on film to maybe five cents at most in digital,” says Mr Matteson. But both firms had to adapt; Kodak was slower.
A culture of complacency
Its culture did not help. Despite its strengths—hefty investment in research, a rigorous approach to manufacturing and good relations with its local community—Kodak had become a complacent monopolist. Fujifilm exposed this weakness by bagging the sponsorship of the 1984 Olympics in Los Angeles while Kodak dithered. The publicity helped Fujifilm’s far cheaper film invade Kodak’s home market.
Another reason why Kodak was slow to change was that its executives “suffered from a mentality of perfect products, rather than the high-tech mindset of make it, launch it, fix it,” says Rosabeth Moss Kanter of Harvard Business School, who has advised the firm. Working in a one-company town did not help, either. Kodak’s bosses in Rochester seldom heard much criticism of the firm, she says. Even when Kodak decided to diversify, it took years to make its first acquisition. It created a widely admired venture-capital arm, but never made big enough bets to create breakthroughs, says Ms Kanter.
Bad luck played a role, too. Kodak thought that the thousands of chemicals its researchers had created for use in film might instead be turned into drugs. But its pharmaceutical operations fizzled, and were sold in the 1990s.
Fujifilm diversified more successfully. Film is a bit like skin: both contain collagen. Just as photos fade because of oxidation, cosmetics firms would like you to think that skin is preserved with anti-oxidants. In Fujifilm’s library of 200,000 chemical compounds, some 4,000 are related to anti-oxidants. So the company launched a line of cosmetics, called Astalift, which is sold in Asia and is being launched in Europe this year.
Fujifilm also sought new outlets for its expertise in film: for example, making optical films for LCD flat-panel screens. It has invested $4 billion in the business since 2000. And this has paid off. In one sort of film, to expand the LCD viewing angle, Fujifilm enjoys a 100% market share.
George Fisher, who served as Kodak’s boss from 1993 until 1999, decided that its expertise lay not in chemicals but in imaging. He cranked out digital cameras and offered customers the ability to post and share pictures online.
A brilliant boss might have turned this idea into something like Facebook, but Mr Fisher was not that boss. He failed to outsource much production, which might have made Kodak more nimble and creative. He struggled, too, to adapt Kodak’s “razor blade” business model. Kodak sold cheap cameras and relied on customers buying lots of expensive film. (Just as Gillette makes money on the blades, not the razors.) That model obviously does not work with digital cameras. Still, Kodak did eventually build a hefty business out of digital cameras—but it lasted only a few years before camera phones scuppered it.
Kodak also failed to read emerging markets correctly. It hoped that the new Chinese middle class would buy lots of film. They did for a short while, but then decided that digital cameras were cooler. Many leap-frogged from no camera straight to a digital one.
Kodak’s leadership has been inconsistent. Its strategy changed with each of several new chief executives. The latest, Antonio Perez, who took charge in 2005, has focused on turning the firm into a powerhouse of digital printing (something he learnt about at his old firm, Hewlett-Packard, and which Kodak still insists will save it). He has also tried to make money from the firm’s huge portfolio of intellectual property—hence the lawsuit against Apple.
At Fujifilm, too, technological change sparked an internal power struggle. At first the men in the consumer-film business, who refused to see the looming crisis, prevailed. But the eventual winner was Shigetaka Komori, who chided them as “lazy” and “irresponsible” for not preparing better for the digital onslaught. Named boss incrementally between 2000 and 2003, he quickly set about overhauling the firm.
He has spent around $9 billion on 40 companies since 2000. He slashed costs and jobs. In one 18-month stretch, he booked more than ¥250 billion ($3.3 billion) in restructuring costs for depreciation and to shed superfluous distributors, development labs, managers and researchers. “It was a painful experience,” says Mr Komori. “But to see the situation as it was, nobody could survive. So we had to reconstruct the business model.”
This sort of pre-emptive action, even softened with generous payouts, is hardly typical of corporate Japan. Few Japanese managers are prepared to act fast, make big cuts and go on a big acquisition spree, observes Kenichi Ohmae, the father of Japanese management consulting.
For Mr Komori, it meant unwinding the work of his predecessor, who had handpicked him for the job—a big taboo in Japan. Still, Mr Ohmae reckons that Japan Inc’s long-term culture, which involves little shareholder pressure for short-term performance and tolerates huge cash holdings, made it easier for Fujifilm to pursue Mr Komori’s vision. American shareholders might not have been so patient. Surprisingly, Kodak acted like a stereotypical change-resistant Japanese firm, while Fujifilm acted like a flexible American one.
Mr Komori says he feels “regret and emotion” about the plight of his “respected competitor”. Yet he hints that Kodak was complacent, even when its troubles were obvious. The firm was so confident about its marketing and brand that it tried to take the easy way out, says Mr Komori.
In the 2000s it tried to buy ready-made businesses, instead of taking the time and expense to develop technologies in-house. And it failed to diversify enough, says Mr Komori: “Kodak aimed to be a digital company, but that is a small business and not enough to support a big company.”
Perhaps the challenge was simply too great. “It is a very hard problem. I’ve not seen any other firm that had such a massive gulf to get across,” says Clay Christensen, author of “The Innovator’s Dilemma”, an influential business book. “It was such a fundamentally different technology that came in, so there was no way to use the old technology to meet the challenge.”
Kodak’s blunder was not like the time when Digital Equipment Corporation, an American computer-maker, failed to spot the significance of personal computers because its managers were dozing in their comfy chairs. It was more like “seeing a tsunami coming and there’s nothing you can do about it,” says Mr Christensen.
Dominant firms in other industries have been killed by smaller shocks, he points out. Of the 316 department-store chains of a few decades ago, only Dayton Hudson has adapted well to the modern world, and only because it started an entirely new business, Target. And that is what creative destruction can do to a business that has changed only gradually—the shops of today would not look alien to time-travellers from 50 years ago, even if their supply chains have changed beyond recognition.
Could Kodak have avoided its current misfortunes? Some say it could have become the equivalent of “Intel Inside” for the smartphone camera—a brand that consumers trust. But Canon and Sony were better placed to achieve that, given their superior intellectual property, and neither has succeeded in doing so.
Unlike people, companies can in theory live for ever. But most die young, because the corporate world, unlike society at large, is a fight to the death. Fujifilm has mastered new tactics and survived. Film went from 60% of its profits in 2000 to basically nothing, yet it found new sources of revenue. Kodak, along with many a great company before it, appears simply to have run its course. After 132 years it is poised, like an old photo, to fade away.
Last night I was in my happy place – and that is inviting the community (non-farmer audience) to codesign what the future for our region could look like if we worked together and created a road map to get there
My journey has taught me its pivotal to start where people are at and do some applied research
To help me understand where my audience was at I introduced the Sustainability Circle concept
I said the role of farmers is to
produce safe, affordable, nutritious food whilst
treading as lightly on the planet as possible,
ensuring worker safety and animal well being and
being an active community member.
I then said in an ideal world farmers will make enough income they wont need to prioritize one sustainability circle responsibility over another
But in an era where food is just 10% of our income and we have come to believe food at rock bottom prices is a birth right farmers often find they have to prioritize
I invited the audience to put their farmer hat on and make their choices using a Mentimeter poll
The two graphs below compare the audiences choices to mine (the farmer) .
Are my choices on the left or the right?????
VERY IMPORTANT NOTE
I did this research at the end of my presentation and prior to doing this I showed these three slides
If we keep consuming the earth’s natural resources and generating the same amount of waste we will need 1.8 planets
and then I highlighted this
Is it surprising when asked to make spur of the moment decisions the audience made the choices they did?
We are all a product of our life experiences, the choices we make so often depend on where we are standing and what we choose to see
I see this when I look out my window
What do you see?
Creating a bright future is a shared responsibility.
Has there ever been a more important time for farmers and the community to reconnect and have conversations and build relationships ?
A refection from me
To be a successful farmer you have to be able to deal with ambiguity as you are often going from one daily crisis to the next.
On our farm we had the mantra – always prioritise the things with a heartbeat first
“Action4Agriculture, through programs like ACTION4YOUTH, is committed to working with our partners in industry, education, and community to make sure the agriculture sector is the opportunity of choice, where every individual is valued for their role in nourishing our nation.”
Images and perceptions matter – This joke is not funny –
I have been watching with great interest the agriculture sector call to arms to tighten our biosecurity protocols to keep Foot and Mouth Disease and Lumpy Skin Disease out of Australia
There are messaging experts all over of the world. I am yet to see my generation of agriculture embrace this area of expertise.
As an example the acronyms FMD and LSD mean very different things for non farmers
I was impressed that it was young people in agriculture who were early embracers of the possible confusion of the acronyms and cleverly drew it to the attention of others and the movement towards positive action messaging was quickly adopted.
As part of our school programs we engaged messaging expert Les Robinson to share with teachers and students best practice
The conversations around the table indicated we have a lot of work to do in agriculture on our CULTURE. What is exciting is these young people are investing their time as life long learners to help us get it right
I have been on some scary journeys. When some NSW vets asked me would I step up on this and have it phased out I hadn’t even heard of the practice ( nor had most farmers in states beyond Victoria and Tasmania – Again this is an example of the push to have food at rock bottom prices is not good for animals or people or the planet.) It took 9 years but it happened, and it certainly told me agr-politics was not for me.
In 2022 I am on a mission to enable everyone who works in agriculture to feel they can be loud and proud. That the best people apply and stay to work in the industry that helps nourish the nation.
I have been around long enough to know there are still several things we have to address before we can put our hands on our heart and say we are doing enough as a sector to achieve that.
This takes are lot of lobbying and sometimes in my case calling things out.
My post yesterday came from a place of deep hurt. In fact my entire world is driven by my emotions.
When I came back to agriculture 20 years ago I knew there was a very good reason why I left in the first place. I didn’t want to milk cows but I did want to use my talents ( whatever they were ) to get the best outcomes for the industry my family loved so much.
To hone my talent I sought our John Hutchison and Deanne Kennedy at JayDee events who have been delivering Cows Create Careers for the dairy industry.
John and Deanne are magnificent humans and together with Cathy Phelps ( who at the time headed up the Natural Resources Management department at Dairy Australia) we created a farmer focused first iteration of Picasso Cows where young people in primary schools explored healthy landscapes, clean waterways and energy efficient dairies. I got it funded and piloted it for two years and then Dairy Australia wanted it.
The first Picasso Cows were traffic stoppers
I was aware the budget would be in Marketing and Communications (M&C) . The people who run schools’ engagement at Dairy Australia are nutritional experts. The Dairy Australia version of Picasso Cows would not be farmer focused and instead have a health and nutrition focus
All well and good, that is their area of expertise, but not my passion so I walked away. Handed over all the IP everything for no remuneration and knew that it was in good hands been looked after by John and Deanne.
Is Picasso Cows still being looked after by John and Deanne? No it isn’t. When will people in Marketing and Communications realise grass roots programs are successful because they are grass roots programs and the best people to deliver them are the grass roots ?
A couple of years ago Dairy Australia made the decision to no longer fund Cows Create Careers . It was so rewarding to see the farmers go into battle to have Dairy Australia reverse their decision. As I said John and Deanne are magnificent humans, they have a rapport with the demographic of farmers I don’t- the over 45’s
I also created a highly successful series called “Jhet and Emma – A Day in the Life of Two Young Girls working on a Dairy Farm ” series for the NSW DPI LandLearn program. The DPI insisted it be housed on their website. When they shut down LandLearn did they let me know the Jhet and Emma series would disappear into the ether? No they did not. Hours and hours and hours of pro bono time and a highly successful education series gone forever .
And this was just the beginning of the extractive world of agriculture I found myself in. After 20 years I feel like an abused housewife who knows deep down no matter how much people say they are going to change, the problem is too endemic, yet she keeps going back for more.
So I ask myself, why is the culture in agriculture like this and there is a good reason
Everyday WE ( Australians) wake up expecting food at rock bottom prices to be a birth rite. We are asking farmers to do what they do and we aren’t prepared to value it. The system proliferates this mindset. The supermarkets wake up everyday on a race to the bottom competing on price alone.
Food is 10% of income in this country. 70 years ago it was 50%. Our farmers getting up everyday to produce food at rock bottom prices gives us a disposable income to spend on other things.
Our farmers feel undervalued. The sector feels undervalued. Undervalued people tend to focus on problems and don’t have the energy to seek out solutions. They tend not to value people who do.