This juxtaposition at the National Gallery of Australia not only celebrates their individual achievements but also underscores the broader narrative of modern art’s evolution. It’s a powerful reminder of how art can capture the complexities of human experience and emotion, encouraging us to see the world through different lenses.
During my visit to the National Gallery of Australia, I had the chance to see Jackson Pollock’s iconic painting, “Blue Poles.” This masterpiece is a prominent example of Pollock’s drip painting technique, which he developed in the late 1940s. “Blue Poles” was created in 1952 and is considered one of Pollock’s most famous works. The painting’s acquisition by the National Gallery of Australia in 1973 caused quite a stir, both for its then-record purchase price and for its bold, abstract style.
Pollock, a leading figure in the Abstract Expressionist movement, was known for his unconventional techniques and intense personal struggles. His method of dripping and pouring paint onto canvas revolutionized the art world, breaking away from traditional methods of painting. “Blue Poles” exemplifies his dynamic style and emotional intensity, capturing a sense of movement and energy that is both chaotic and harmonious.
Interestingly, displayed alongside “Blue Poles” is the work of Pollock’s wife, Lee Krasner. Krasner was an accomplished artist in her own right, and her contributions to modern art have gained significant recognition. One of her notable works, “The Seasons” (1957), was created during a deeply emotional period following Pollock’s tragic death in 1956. During this time, Krasner channelled her grief and loss into her art, producing powerful and expressive pieces that reflect her inner turmoil and resilience.
“The Seasons” showcases Krasner’s mastery of form and colour, with swirling, organic shapes that convey a sense of renewal and continuity amidst sorrow. Her work often explores themes of nature and personal expression, using bold colours and forms to create compelling compositions. Krasner’s paintings, such as “Milkweed” (1955) and “The Seasons,” reflect a profound understanding of form and space, showcasing her unique voice within the Abstract Expressionist movement.
Seeing Pollock’s “Blue Poles” and Krasner’s artwork side by side provides a fascinating insight into their artistic relationship. While both artists were part of the same movement, their individual styles and approaches offer contrasting yet complementary perspectives. Krasner’s structured yet fluid compositions provide a counterpoint to Pollock’s more explosive and spontaneous works, highlighting the diversity and depth of Abstract Expressionism.
This juxtaposition at the National Gallery of Australia not only celebrates their individual achievements but also underscores the broader narrative of modern art’s evolution. It’s a powerful reminder of how art can capture the complexities of human experience and emotion, encouraging us to see the world through different lenses.
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This blog is part of my Travel Diary series
BTW
The most publicly derided acquisition in modern Australian art history has proved to be one of the nation’s bargains of the century.
Jackson Pollock’s Blue poles is now worth a whopping $500 million, according to a new valuation by its keeper, the National Gallery of Australia.
