Kiama Council’s Easter ambush sparks anger over cuts closed doors and police

Kiama Council dropped an extraordinary meeting agenda on the Thursday before a four day Easter break, then set the meeting on for the following Tuesday, the first day back. The agenda carried sweeping proposed savings across community life, including youth, cultural and community services, visitor services, tourism, library hours, Leisure Centre hours, the pensioner rebate, community donations and sponsorships, staff positions, and the proposed relocation of the Pilot’s Cottage Museum and Visitor Information Centre.

People in Kiama understand there is a budget problem. They understand Council is operating under a Performance Improvement Order and that difficult decisions are in front of it.

The anger has come from the way this was handled. Material of this scale was put into the public arena on the eve of a long weekend, when people were heading into Easter, then debated the moment the holiday ended. Councillors had already been through workshops and briefings. The community got a scramble.

The public forum timing sharpened the sense that this was being pushed through rather than opened up. Instead of the breathing space most people would expect before a decision of this size, public access was held immediately before the meeting itself.

People were expected to absorb complex proposals, organise their thoughts, speak, and watch councillors move into debate, all in the same late afternoon.

Then came the access arrangements. On the afternoon of the meeting, Council announced that the administration building would close at 4 pm, the public gallery would be limited to 20 attendees, protest material would not be permitted inside chambers or council workplaces, security would manage access, and NSW Police had been advised of the intended protest. That combination told its own story.

Community anger was being managed as a risk event at the very moment residents were trying to be heard.

This is the part Council seems not to have understood. When you put youth services, community services, library hours, tourism functions, the pensioner rebate, staff positions and local heritage on the table, people will react. When you do it before a four day break and bring it on for the first day back, they will react harder. When you then tighten access and prepare for protest, they draw their own conclusions.

Watch community concerns on WIN4 News here 

The question now is larger than one difficult meeting. Kiama has already seen police called to a tense council gathering in recent years. That gives this latest episode a wider significance. Residents are entitled to ask whether this is becoming a pattern, late release of major decisions, compressed opportunities for public response, and a readiness to treat dissent as a security problem rather than a democratic reality.

No one expects budget repair to be painless. People do expect honesty, time and respect. They expect to see the problem clearly, weigh the trade offs, and speak before the process tightens around them. That did not happen here.

You would hope this is not how Kiama Council plans to handle major public decisions from here. It looks too much like another way of shutting down community voices. And once a council starts hearing community anger as a threat instead of a message, it has lost sight of the room.

Packed House, Untold Stories. How Kiama Is Rewriting What We Know About Australian History”

L to R Aunty Dr Joyce Donovan, Sue Eggins and Dr Tony Gilmour 

The Kiama District Historical Society’s October event drew a full  house, standing room only, as locals gathered to hear Aunty Dr Joyce Donovan and Dr Tony Gilmour explore the deep Aboriginal history of the local area.

The crowd loved the didjeridoo performance by Quinten Dingo-Donovan – a moving tribute that connected the past and present.

The audience, mostly baby boomers, was visibly engaged and moved by what they heard. Many said afterward that they had learned more about the South Coast’s Aboriginal history in one afternoon than in all their years of schooling.

Aunty Joyce, a Wodi Wodi Elder and local hero recognised for her work in Aboriginal health and education, and Dr Gilmour, historian and Vice President of the Kiama District Historical Society, presented a powerful overview of Wodi Wodi Country, focussing on Kiama, Jamberoo, Minnamurra, and Gerringong. They described how the area’s saltwater people lived along the coast and gathered at Kiama to trade salt, arrange marriages, and pass on law; how Jamberoo and Minnamurra were key meeting and birthing places; and how Aboriginal names like Kiama (“where the sea makes a noise”) and Minnamurra (“plenty of fish”) connect the landscape to its stories.

Aunty Dr Joyce Donovan is presented with a certificate by Kiama District Historical Society president Sue Eggins, marking her appointment as the Society’s first Aboriginal Elder Patron — a recognition of more than 15 years of collaboration and contribution to keeping Kiama’s shared history alive.

They also revisited the history of King Mickey Johnson and Queen Rosie, whose lives in the late 1800s and early 1900s show that Aboriginal people remained part of community life long after colonisation. Their stories now form part of a new, evolving display at the Pilot’s Cottage Museum, a living history project that welcomes new knowledge, corrections, and contributions.

“This is a living history,” said Aunty Joyce. “We’re still learning, still listening, and still adding to what we know. History belongs to everyone, and it grows stronger when we share it.”

Dr Gilmour agreed, describing the project as a way of completing the story of Kiama rather than rewriting it. “We’re not taking anyone’s history away,” he said. “We’re filling in the missing chapters. The story of this place didn’t start in 1797 when explorer George Bass landed in what is now Kiama harbour. And it hasn’t stopped. It’s a continuing story that connects us all.”

The energy in the room suggested more than nostalgia. It reflected a wider hunger for understanding and a recognition that history told only through rose coloured glasses leaves us poorer.

As one attendee remarked.

 “It’s time for Aboriginal history and culture to become a genuine, continuous part of the curriculum, not an elective reserved for the senior years. In a global world, young people are hungry to understand where conflict comes from and how empathy begins with truth. It isn’t about rewriting history. It’s about completing it.”

Around the world, societies are re-examining how their histories are told. When people study the past honestly, whether it’s the brutality of Europe’s religious wars or Australia’s frontier conflicts, they begin to see why divisions persist and how understanding grows from truth.

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