Kiama Council’s Easter ambush sparks anger over cuts closed doors and police

Kiama Council dropped an extraordinary meeting agenda on the Thursday before a four day Easter break, then set the meeting on for the following Tuesday, the first day back. The agenda carried sweeping proposed savings across community life, including youth, cultural and community services, visitor services, tourism, library hours, Leisure Centre hours, the pensioner rebate, community donations and sponsorships, staff positions, and the proposed relocation of the Pilot’s Cottage Museum and Visitor Information Centre.

People in Kiama understand there is a budget problem. They understand Council is operating under a Performance Improvement Order and that difficult decisions are in front of it.

The anger has come from the way this was handled. Material of this scale was put into the public arena on the eve of a long weekend, when people were heading into Easter, then debated the moment the holiday ended. Councillors had already been through workshops and briefings. The community got a scramble.

The public forum timing sharpened the sense that this was being pushed through rather than opened up. Instead of the breathing space most people would expect before a decision of this size, public access was held immediately before the meeting itself.

People were expected to absorb complex proposals, organise their thoughts, speak, and watch councillors move into debate, all in the same late afternoon.

Then came the access arrangements. On the afternoon of the meeting, Council announced that the administration building would close at 4 pm, the public gallery would be limited to 20 attendees, protest material would not be permitted inside chambers or council workplaces, security would manage access, and NSW Police had been advised of the intended protest. That combination told its own story.

Community anger was being managed as a risk event at the very moment residents were trying to be heard.

This is the part Council seems not to have understood. When you put youth services, community services, library hours, tourism functions, the pensioner rebate, staff positions and local heritage on the table, people will react. When you do it before a four day break and bring it on for the first day back, they will react harder. When you then tighten access and prepare for protest, they draw their own conclusions.

Watch community concerns on WIN4 News here 

The question now is larger than one difficult meeting. Kiama has already seen police called to a tense council gathering in recent years. That gives this latest episode a wider significance. Residents are entitled to ask whether this is becoming a pattern, late release of major decisions, compressed opportunities for public response, and a readiness to treat dissent as a security problem rather than a democratic reality.

No one expects budget repair to be painless. People do expect honesty, time and respect. They expect to see the problem clearly, weigh the trade offs, and speak before the process tightens around them. That did not happen here.

You would hope this is not how Kiama Council plans to handle major public decisions from here. It looks too much like another way of shutting down community voices. And once a council starts hearing community anger as a threat instead of a message, it has lost sight of the room.

How a small town editor changed the landscape by channelling Hawke, Mandela and Attenborough

Wouldn’t life be easier if we knew when to calm the room like David Attenborough, when to hold the line like Nelson Mandela, and when to roll up our sleeves and push like Bob Hawke?

Joseph Weston understood timing.

He was the editor of the Kiama Independent in the late nineteenth century, a farmer in an earlier life, and a fierce advocate for systems that moved farmers from price takers to price makers.

He had range.
Emotional range.
Strategic range.
Editorial range.

I’ve spent a long time watching how change actually happens. It often slips in while everyone is busy arguing about something else. Weston seemed to understand that instinctively.

Start with women.

As editor of the Kiama Independent, Weston strategically expands who appears in the public record. Women begin to show up with careers. Paid work outside the home becomes part of everyday reporting. Secretaries. Clerical and office roles. Assistants in business and administration.

His commentary ensures these roles sit comfortably on the page.

Education is assumed. Literacy is assumed. Organisational skill comes with the territory. Women appear as capable participants in the life of the town.

Alongside this, the paper notes the first woman to graduate university with an Arts degree. She takes her place among the day’s business and the paper moves on. Education, work, and opportunity sit naturally within community life.

This is Weston in Attenborough mode.

He trusts readers to notice. He lets repetition do the work. Over time, expectations widen because what people see keeps widening.

Then he switches gear.

When the dairy industry is at stake, Weston becomes very Hawke. Energy up. Purpose clear.

He writes under the pseudonym The Dairyman. Farmers start asking each other who The Dairyman might be. They argue about the ideas and speculate about the author at the same time. The conversation spreads. Momentum gains traction.

Cooperative dairying becomes something people are talking about in sheds, kitchens, and at the factory gate.

This is Weston mobilising attention.

Running through both approaches is a third instinct, the Mandela one. A sense of timing. Knowing when to slow things down and when to apply pressure. Knowing that influence works differently depending on the moment.

With women’s roles, Weston widens the frame until it feels familiar.
With cooperative dairying, he sharpens the focus until it demands action.

Same person. Different tools. Wisdom we all can aspire too.

Joseph Weston understood how communities change. He worked with that reality. Low-key when low-key works. Direct when direction builds momentum.

For me

Joseph Weston is a role model who shows us how to rearrange the furniture, and when to do it.

FYI

Source 

A mural of memory and meaning at The Point Kiosk, Gerringong SLSC

 Rose Leamon serves up muffins and warmth while Wendy Quinn shares a big smile at The Point Kiosk, where community connection is always on the menu.
Rose Leamon serves up muffins and warmth while Wendy Quinn shares a big smile at The Point Kiosk, where community connection is always on the menu.

Some stories belong in print. Others belong right here, on this blog, where I can speak directly to the community that holds them. This is one of those stories.

Right now, one in five adults in the Kiama local government area is reading these blogs. And I know many of you care deeply about the kind of community we are building together. That is why I chose to publish this story here. Because this is not just about a mural. It is about intergenerational wisdom, shared values, and the kind of spaces that help our young people grow up grounded, kind and connected.

When the Club Captain of Gerringong Surf Life Saving Club introduced me to Rose, Milly and Wendy, I thought I was going to write about a piece of art. What I discovered was something much bigger.

It starts with Wendy Quinn, a beloved local artist and teacher, who said yes without hesitation when asked to create a mural for The Point Kiosk. But she did not want to do it alone. She invited 19-year-old Milly Wall, club member, volunteer, and education student at the University of Wollongong, to join her. Together, they made something beautiful. But more than that, they made something meaningful.

The mural stretches across the back wall of the kiosk in a grid of black canvas panels, each one textured with real shells and fronds. Some of the shells were purchased. Others were salvaged from old classroom supplies. But many came from Wendy’s 95-year-old mother’s private collection, gathered over decades from beaches like Horseshoe Bay, Batemans Bay and Bawley Point, and kept safe in preserving jars.

“She gave them to me in preserving jars,” Wendy told me. “She has had them since the 1940s. I have saved them my whole life.”

Now they are part of a public space that welcomes everyone. The Point Kiosk is not just for club members. It opens from 6.30 to 10.30 in the morning to serve the wider community. The early risers, the Werri Beach walkers and talkers, the swimmers, the families, and anyone who wants a warm drink or a warm conversation.

The mural project was part of a broader effort to activate that space, led by Rose Leamon, a former Fortune 500 executive who left the corporate world to live a different kind of life by the sea. When Rose took on the challenge of operationalising The Point Kiosk, she brought with her the skills of a strategist, but also the heart of someone who understands that real leadership means making space for others to shine.

Wendy brought her artistry. Milly brought her energy. And what they created together is more than decoration. It is a story told in shells. It is memory and mentorship and moments passed from one generation to the next.

Wendy Quinn and Milly Wall deep in conversation outside The Point Kiosk. Mentor and mentee, sharing stories, ideas and mutual respect – proof that when generations listen to each other, extraordinary things can happen.

People stop to look. They point out favourite pieces. They tell stories of summers past. The mural does not just say this is who we are. It says this is who we are becoming.

In a world that too often forgets the quiet builders of community, this mural reminds us what matters. Shared purpose. Generosity. Creating spaces like The Point Kiosk, where young people grow up learning the most important things. Not just how to save lives in the surf, but how to live lives of meaning, together.

#ThePointKiosk, #GerringongSLSC, #WerriBeach, #CommunityInAction, #IntergenerationalWisdom, #ShellStories,  #Kiama,