Tag: local history

History is full of people who could not spell their own names.

Christine Yeats Convenor of the Assessment Sub-Committee of the UNESCO Australian Memory of the World Committee.

A sold-out audience gathered at Kiama Library today to learn from two of Australia’s most experienced historical researchers.

Kiama Historical Society was honoured to welcome Carol Liston AO, President of the Royal Australian Historical Society, and Christine Yeats, its Senior Vice President.

Carol is an Adjunct Associate Professor at Western Sydney University. Her research focuses on early colonial New South Wales, particularly the development of the County of Cumberland and the lives of convict women transported from Britain.

Christine is an archivist and historical researcher who spent much of her career with State Records NSW, now part of Museums of History NSW. She is also Convenor of the Assessment Sub-Committee of the UNESCO Australian Memory of the World Committee.

Carol and Christine set up for their presentations with Vice President of the Kiama Historical Society Dr Tony Gilmour watching cleary please the AV is working 

For local historians, family researchers and writers across the Illawarra and Shoalhaven, having Carol and Christine visit Kiama and share knowledge gathered over a lifetime was a rare opportunity.

It soon became clear that historical research begins with persistence.

Our ancestors could not always spell their own names.

Neither, apparently, could the people recording them.

A surname might begin with Mc, Mac, M’ or a space. Trove may read it differently again. Christine’s advice was simple. Try every variation you can imagine, including a few you cannot imagine, and never assume something is absent because your first search failed.

She also demonstrated how to use quotation marks, AND, NOT and Trove’s persistent links, along with the importance of saving the newspaper title, date and page number. Search results can move as new material is added, meaning the article you found easily today may play hide-and-seek tomorrow.

Newspapers, Christine told us, are wonderful places to begin. They are not necessarily wonderful places to stop.

Historic Waughope House and the farm today is still and operating dairy farm

One article about Kiama’s Waugh family contained a letter and plenty of useful clues. It also elevated the wrong family member, incorrectly explained how Waughope got its name and confidently repeated details that did not survive contact with the original records.

Nobody had necessarily set out to mislead anyone. Someone filled a gap, another person repeated it, and eventually the story acquired the reassuring appearance of fact.

Carol took us further back, into colonial records created because Governor King wanted to prevent “fraud, confusion and perplexity”.

That may be the most honest description ever given to a government recordkeeping project.

The Old Register records what ordinary people were buying, selling, mortgaging, promising and fighting over from the earliest years of the colony. Carol showed us why one document is never enough. Every record reflects the knowledge, purpose and opinion of the person who created it. The researcher’s task is to compare it with maps, correspondence, newspapers, land records and other evidence.

Dr Tony Gimour Vice President Kiama Historical Society, Christine Yeats and Cameron McDonald Mayor and Patron

Then a Kiama silk mystery appeared.

Christine had been investigating Anne Waugh, who sent locally produced silk to the Paris Exhibition of 1855. That search led through parish maps, title records, primary applications and annotations left by long-dead clerks.

It also raised a new local question.

Are some of Kiama’s old mulberry trees survivors of its forgotten silk industry?

Kiama Historical Society has a well-earned reputation for bringing together outstanding speakers, fascinating local stories and food tables that deserve their own place in the archives. The magnificent lunch was prepared by the Children’s Medical Research team. 

Nobody walked out with a neat answer to every historical puzzle.

We left knowing where to look next, what to question and why the smallest handwritten number on the corner of a document may change an entire family story.

History, it turns out, is less about finding one perfect record and more about refusing to be defeated by a badly spelled surname, an intimidating website or a very convincing local legend.

Remember the “pinkie” campaign could it fix our e bike problem

Remember this campaign? Will it fix our e-bike problem?

Watch it again and then ask yourself a serious policy question: is this the answer to Kiama’s e-bike problem?

The Pinkie campaign understood something about teenage boys that every threat misses. The whole performance is for an audience,They think they are bulletproof. Fines bounce off them. Warnings bounce off them. The road toll belongs to other people. Could laughter from the girls on the corner be the answer

Kiama has tried the enforcement route before. I mean well before. In the 1880s this town had a big hoon problem. Mobs of forty and fifty boys patrolled the streets from ten o’clock. They damaged everything in sight. Joseph Weston lobbied hard for his solution, “bring back the whip”

Larrikinism, he thundered, was “a social and moral infection which should be stamped out like small-pox”

In November 1883 he got his wish. “LARRIKINS BEWARE! The ‘Cat’ has arrived.” Triangles, a cat-o’-nine-tails and two taws came down from Sydney on Saturday’s steamer, and the magistrate a Mr Connell announced he would happily show the appliance to anyone desirous of seeing it at the court-house. Kiama invented the pop-up exhibition a century early.

In March 1884 the cat made its courtroom debut, produced before three youthful offenders to rattle them. The delinquents smiled. The Bench promised them a taste of it next time. By the close of 1885 the cat was still waiting for its first customer, the most feared instrument in the British penal system reduced to a conversation piece with viewing hours.

This week Council opened a portal where residents can report e-bike incidents. Same recipe, new appliance. Acquire the instrument with fanfare, then wait for the teenagers to reform themselves. The boys on Collins Street will smile at the portal exactly the way the larrikins smiled at the cat, assuming word of it ever reaches them.

Which brings me back to the pinkie. It cost less than a steamer and it frightened more teenagers than the cat ever did. So here is my alternative submission to Council: skip the portal, commission the ad. Or save the money entirely. Collins Street, Saturday night, all of us on the footpath, little fingers raised.

Watch the add again. What do you think?

One Saturday, two events, and the story of three orphans who built this district

Every object on this table holds a story. Yours do too, and most of those stories are one generation from being lost. Saturday 18 July, Kiama Library, the Royal Australian Historical Society is teaching us how to capture them before they go.

Three orphan girls built lives we still drive past every day

I write stories so the people we love are remembered. Memory has a shelf life of about two generations. Your grandchildren will know your name. Their children probably won’t, unless someone writes it down. Every family has people worth remembering, and most families never get around to it.

So when I heard what the Kiama Historical Society has organised for Saturday 18 July, I paid attention.

In 1821 three young sisters, Cecelia, Caroline and Catherine Rutter, were sent to the Female Orphan School at Parramatta. The Orphan School was where the colony put children it had no other place for. It was not a beginning anyone would choose.

Fifty years on, their names were attached to some of the finest homes in this district. Cecelia married Michael Hindmarsh of Alnebank at Gerringong. Caroline married Thomas Surfleet Kendall of Barroul House. Catherine’s second marriage, to Thomas Chapman, made her home at Hartwell House.

For me, one of those names is personal. In 1880 my grandfather’s family, the Chitticks, arrived in Sydney aboard the Samuel Plimsoll, a wool clipper 74 days out of Plymouth. The shipping list records six brothers, aged 15 to 27, every one of them an agricultural labourer, with their mother and sisters listed as domestics. In time the Chitticks bought half of the Alnebank farm. The orphan girl’s ground became my family’s ground. My grandmother’s people had already been in this district since 1831, and my father’s side arrived in 1841. These stories don’t just overlap with ours. They share fences.

I know all of that because somebody kept the records, and somebody else taught me how to read them. A shipping list, a family tree in a booklet, dates and ages in a column. That’s how a name becomes a person whose story you can share.

Carol Liston, president of the Royal Australian Historical Society, tells the Rutter sisters’ story at Kiama Library Auditorium on Saturday 18 July at 1.45 pm. It costs $3 for Historical Society members, $5 for guests, afternoon tea included, and you can just turn up.

The morning session is the one I’d urge you to book

Before the talk, Carol and the Society’s senior vice president Christine Yeats are running a research workshop, 10 am to 1 pm at the same venue. This is a rare thing. The two most senior figures of the Royal Australian Historical Society, in Kiama, teaching the practical craft: how to search Trove so it gives you answers instead of noise, how to use the Historical Land Records Viewer to trace a property and the people who held it, how to read colonial records for the personal detail that turns a name into a person.

Almost every family around here has the shoebox. The photographs with no names on the back. The family tree that stops dead somewhere in the 1880s. The house with a name nobody can explain. This workshop is for that shoebox. BOOK YOUR SPACE HERE 

It’s $25 for historical society members, $30 for everyone else, and that includes morning tea, cakes and lunch. Bookings are essential, so don’t leave it until the week of.

I’ll be there with my own list of dead ends. Whether Trove can crack them is another question. That’s rather the point of going.

Two workshops in one week, and what they showed me about memory

Last week I went to two workshops.

On paper they had little in common. One was about making cabbage tree hats. The other was about recording oral history.

By the end of the week, I was thinking about both of them through the same lens. They were both about the past, and about what happens when people decide it still deserves a place in daily life.

The first was Sue Brian’s cabbage tree hat workshop at Jamberoo Youth Hall. I went to watch, not to make a hat, which was probably wise. The people at the tables were learning how to boil, shred and plait the palm fronds. I was listening for the story behind the craft.

There was a lot to hear.

In the mid nineteenth century, cabbage tree palms were cut in huge numbers. The trunks were used and the unopened leaf spears were taken for hat making. Sue and the people who still make the hats use the palm differently now. They take the unopened leaf from young palms in a way that allows the tree to keep growing.

The 19th century method took the palm out of the landscape. The current one leaves the tree standing.

The same palm that was once stripped from this landscape is now being planted back into it. Landcare Illawarra’s Future Proofing the Cabbage Tree Palm project is planting cabbage tree palms around Jamberoo, below Saddleback Mountain, where some of the last old palms still stand.

Cabbage tree hat making workshop proved to be very popular and the workshops will return in 2027. See bottom of blog post for contact details

The second workshop was at the Pilot’s Cottage in Kiama, run by Alison Wishart and hosted by the Kiama Historical Society.

Alison Wishart and attendees at Oral History workshop. The Historical Society always offer a superlative morning tea.

This was familiar ground. I have spent years helping people tell their life stories through written memories. Alison was talking about oral history, and the power of recording it.

As Alison reminded participants, the recording keeps the emotion for others to interpret. You hear the hesitation, the humour, the catch in the voice. On the page, I have to find another way to express it.

I keep noticing how much people here care about memory. Our local “remember when” Facebook pages come alive when someone posts an old photo. Within an hour, people are naming faces, houses, streets, teams and families. Someone always knows something. Someone else adds the bit they missed.

I understand that feeling more now than I did when I was young.

Earlier this year, when the council floated moving the Pilot’s Cottage Museum from Blowhole Point into a small space under the library, the reaction was immediate. Dr Tony Gilmour and the Kiama Historical Society volunteers led the campaign, and people who rarely write submissions wrote in. In five days, the idea was reversed.

Around the museum, they still joke that the council wanted to turn them into a KFC.

The museum is here to stay (but it is still looking forward to council giving it a 5 year lease – if only council worked as fast as our community)

I grew up in a family that took history seriously. Years were spent writing down who came to this country, where they settled, what the men did, how wonderful the wives and mothers were at raising children and keeping house. Which women never married because they stayed home to look after their parents or their ten plus siblings. Not an era I would have thrived in.

I always thought I should find it fascinating. I didn’t.

I did well in history at school, but I learned the dates to pass the exam.  I realise now I wanted to know what it felt like to be alive then.

I am grateful for the people I meet today who are prepared to share their story.

When I sit with someone to record their life, I am listening for what it was like to live through their sixty, seventy or eighty years. How much changed.  Who stood beside them. What they learned through grief, love, disappointment and endurance.

When I ask people what they would say to young people now, the answers are the same.

Find a way to live in peace.

Be kind.

At the oral history workshop, someone asked the obvious question. If you are recording one person’s memory, how do you know it is accurate?

It is a fair question.

Memory shifts. Families remember things differently. History is full of confident versions that do not line up. Put ten people at the same accident and the police will take ten different statements. Each person saw it from where they were standing.

So you listen for how that person remembers it. Their version may differ from someone else’s. It may differ from your own. But it is their story.

That does not mean anything goes. A life story is not a place to settle a score with family. The highs belong there, and so do the lows, but the purpose is to understand a life, not punish people from the page.

The other thing I came home thinking about is how different every person is to record.

Some people give you gold in the first ten minutes. Some hold their story so tightly you wonder why they agreed to begin. Some families want every sentence to serve a different purpose. Some people need audio. Some need a written story. Some need a patient interviewer who can sit with silence. Some need structure before they can begin.

There is no single right way.

The cabbage tree hat workshop showed me that a craft survives because people keep practising it, slowly and carefully, with their hands.

The oral history workshop showed me that a life story survives because someone listens, then chooses the way to record it that suits that person.

Anyone can keep the dates and the places.

I am focused on the voice behind them, and whether I can express enough of that voice on the page for the person and their loved ones to recognise them.

Three exciting things to share

  1. Dr Tony Gilmour the Vice President of the Kiama Historical Society told me the majority of the Oral History workshop participants would like to turn their workshop learnings into recording people’s lived experiences; Contact the society at E: kiamahistory@outlook.com  P: 02 4232 1001
  2. The Cabbage Tree Hat making workshops will return in 2027. Contact Kate Malfroy E: kate@lampshadeworkroom.com.au
  3. Landcare contact is Meredith Hall  E: coordinator@landcareillawarra.org.au
    M:  +61 (0) 499 027 770

Further reading:

Cabbage-tree hats through history 

Jamberoo welcomes the Future Proofing the Cabbage Tree Palm Project

 

Where history lives and why it still matters

We’ve lived the history.
We’ve written it down.
We’ve carried it forward, or have we?

That question is where my work begins. Through interviews and recordings, I gather and share local history, often uncovering stories people carry without realising their value. When I speak to groups, I start with this moment, a pause, a look around the room, and an invitation to notice what’s already in our care.

I then ask for a show of hands.

Who here is, in some shape or other, a keeper of stories?

For some, it’s a box of photographs.
For others, a folder of papers.
Sometimes it’s a drawer that nobody else is allowed to touch.

That’s where history lives.
And that’s where the opportunity begins.

History lives in people, families, workplaces, and communities. It survives because someone decides it matters. Often it begins with ordinary objects and everyday stories, the things that sit quietly in our lives until time gives them meaning.

One of my favourite examples is this suitcase.

A relative’s family kept their memories in a single suitcase. Over many years, a father filled it with letters, photographs, and papers. When he died, the suitcase passed to his son.

His son understood the suitcase as responsibility. He chose to keep those memories alive and went on to write the history section for his local paper, turning private records into shared memory.

Inside that suitcase were photographs of my own family I had never seen. Faces, places, and moments I recognised in new ways. My history, preserved through someone else’s care.

My parents wedding and a photo of my mother as a 14 year old bridesmaid

That is how continuity works. Memory moves forward because someone chooses to hold it.

Today, we can extend that care into digital spaces. Stories become searchable, shareable, and discoverable. A single record can reach families, researchers, and future generations.

What we choose to document shapes what gets handed down. What we carry forward shapes what endures.

Most of us already hold history in our hands. The question is how we choose to care for it.

Packed House, Untold Stories. How Kiama Is Rewriting What We Know About Australian History”

L to R Aunty Dr Joyce Donovan, Sue Eggins and Dr Tony Gilmour 

The Kiama District Historical Society’s October event drew a full  house, standing room only, as locals gathered to hear Aunty Dr Joyce Donovan and Dr Tony Gilmour explore the deep Aboriginal history of the local area.

The crowd loved the didjeridoo performance by Quinten Dingo-Donovan – a moving tribute that connected the past and present.

The audience, mostly baby boomers, was visibly engaged and moved by what they heard. Many said afterward that they had learned more about the South Coast’s Aboriginal history in one afternoon than in all their years of schooling.

Aunty Joyce, a Wodi Wodi Elder and local hero recognised for her work in Aboriginal health and education, and Dr Gilmour, historian and Vice President of the Kiama District Historical Society, presented a powerful overview of Wodi Wodi Country, focussing on Kiama, Jamberoo, Minnamurra, and Gerringong. They described how the area’s saltwater people lived along the coast and gathered at Kiama to trade salt, arrange marriages, and pass on law; how Jamberoo and Minnamurra were key meeting and birthing places; and how Aboriginal names like Kiama (“where the sea makes a noise”) and Minnamurra (“plenty of fish”) connect the landscape to its stories.

Aunty Dr Joyce Donovan is presented with a certificate by Kiama District Historical Society president Sue Eggins, marking her appointment as the Society’s first Aboriginal Elder Patron — a recognition of more than 15 years of collaboration and contribution to keeping Kiama’s shared history alive.

They also revisited the history of King Mickey Johnson and Queen Rosie, whose lives in the late 1800s and early 1900s show that Aboriginal people remained part of community life long after colonisation. Their stories now form part of a new, evolving display at the Pilot’s Cottage Museum, a living history project that welcomes new knowledge, corrections, and contributions.

“This is a living history,” said Aunty Joyce. “We’re still learning, still listening, and still adding to what we know. History belongs to everyone, and it grows stronger when we share it.”

Dr Gilmour agreed, describing the project as a way of completing the story of Kiama rather than rewriting it. “We’re not taking anyone’s history away,” he said. “We’re filling in the missing chapters. The story of this place didn’t start in 1797 when explorer George Bass landed in what is now Kiama harbour. And it hasn’t stopped. It’s a continuing story that connects us all.”

The energy in the room suggested more than nostalgia. It reflected a wider hunger for understanding and a recognition that history told only through rose coloured glasses leaves us poorer.

As one attendee remarked.

 “It’s time for Aboriginal history and culture to become a genuine, continuous part of the curriculum, not an elective reserved for the senior years. In a global world, young people are hungry to understand where conflict comes from and how empathy begins with truth. It isn’t about rewriting history. It’s about completing it.”

Around the world, societies are re-examining how their histories are told. When people study the past honestly, whether it’s the brutality of Europe’s religious wars or Australia’s frontier conflicts, they begin to see why divisions persist and how understanding grows from truth.

#AboriginalHistory #KiamaHistory #WodiWodiCountry #KingMickey #QueenRosie #LivingHistory #TruthTelling #AustralianCurriculum #SouthCoastNSW #KiamaCommunity #Jamberoo #Minnamurra #Gerringong #PilotCottageMuseum #LocalHistory #Reconciliation #HistoryEducation #AustraliaBefore1788 #KiamaEvents #CulturalHeritage

From Bare Floors to Barely Affording. Why Getting Rich in 1870 Was Easier Than Buying a House Today”

In 1870, the Kiama Independent ran a piece titled How to Get Rich. The advice was breathtakingly simple:

Work hard. Spend less than you earn. Save a few hundred pounds. Buy a small farm on the edge of town. Build a modest house. Marry a prudent woman (the sexism was free). Live happily ever after.

And the best part? Don’t worry about furniture. As the newspaper sternly advised, “If the average colonist can have a carpet and fine furniture without taking another man’s money to pay for them, let him have them. But if he cannot afford it, bare floors will not hurt honest men’s feet.”

In other words: buy the farm first, worry about the carpet later.

And here’s the thing, it wasn’t a joke. Back then, this advice actually worked. You could slog for a few years and end up with a farm. Land ownership was within reach of an ordinary labourer.

Fast forward to 2025, and you’d be laughed out of the bank for suggesting such a thing. Today’s version of How to Get Rich might read something like this:

Work hard. Spend less than you earn (if that’s even possible). Save for a decade while rents chew through a third of your income. Watch house prices climb faster than your wages. Cry into your smashed avo (because it wasn’t the avocado that broke the bank). Apply for a mortgage that will consume 50% of your household income. Repeat until retirement.

Here are the hard numbers:

  • The house-price-to-income ratio in Australia now sits at about 8 times annual income (9.5 times if you’re in Sydney, 10-12 times if you live in Kiama). In 1870, it was closer to 1:1.

  • It takes the average household more than 10 years just to save a deposit—and that’s without the market leaping ahead while you save.

  • If you’re lucky enough to secure a mortgage, expect half your income to vanish into loan repayments. If you’re renting, a third of your income disappears into someone else’s mortgage.

In short: in 1879  “getting rich” meant a few years of thrift and sweat, and you could end up with your own patch of dirt. Today, thrift and sweat mostly buy you the right to complain about real estate agents and doom scroll Domain listings at midnight.

The truth is, our ancestors may have lived with bare floors, but at least they could afford the walls around them. Carpets were optional. Houses weren’t.

#HousingCrisis #CostOfLiving #KiamaHistory #ThenAndNow #BareFloors #HomeOwnership #AustralianDream #LocalHistory #RealEstateReality

From a Box of Hoses to One of the Best-Equipped Brigades in the State

This is a recreated image produced for this 85th anniversary blog. It is for illustrative purposes only and does not depict the actual vehicles, buildings, or equipment from the period.

Eighty five years ago, on Valentine’s Day 1940, a group of locals gathered in the Jamberoo Council Chambers, not for romance but to talk about fire. Austin Howle was elected captain, with M Boulton, A Pryor, and J Murphy as vice-captains. Each picked a team of five mates, and together they formed the very first Jamberoo Bush Fire Brigade.

The equipment was modest. It was a standpipe, a hose director, and a couple of lengths of canvas hose kept in a box at the Post Office. But it was ours, and it worked. Eventually, it was moved to the fence at the Council Chambers, which you might now know as the butcher’s shop.

Fast forward to 1958 and Kiama Council handed over our first station, an old Electricity Department building. The “tanker” at that time was a box trailer with a water tank and pump, towed by the captain’s Land Rover. Then came the brigade’s first real tanker in the early 1960s, an ex-army Ford Blitz that the members kitted out themselves.

From there, the fleet kept growing. A 1981 Toyota four-wheel drive, a 1957 Commer fire appliance rescued from Goulburn, and a Ford van turned into a forward control unit all joined the ranks. By the 1990s, we had replaced the lot with modern equipment, and the station grew too. Thanks to a lot of voluntary muscle power from brigade members who built, poured, painted, and laid bricks, we ended up with the four-bay station we know today.

We have had 14 captains over the years, from Austin Howle through to our current leader, Hannah McInerney. Along the way, many members have gone on to senior roles across the Kiama and Shellharbour fire service.

Today, Jamberoo is a village with fire-fighting equipment that consists of: Heavy tanker (Cat 1), Village protection unit (Cat 10), Striker unit (Cat 9) Personnel carrier (Cat 20)

The brigade 60  members, ready to tackle structural fires, bush and grass fires, motor vehicle accidents, rescues, searches, and even the occasional tree blocking the road. We also lend a hand across the Illawarra Zone and wider NSW  whenever needed.

From that humble box of hoses to one of the best-equipped brigades in New South Wales, Jamberoo RFS’s story is about dedication, community spirit, and a willingness to muck in and get the job done.

Here’s to the next 85 years, and maybe, just maybe, fewer 5am callouts.

#JamberooRFS #RuralFireService #FireBrigadeHistory #CommunityService #VolunteerFirefighters #HistoricFireTrucks #EmergencyServices #FirefightingHeritage #LocalHistory #NSWRFS

The Power of Storytelling and Digital Legacy

Documenting history matters, not just to remember names but to honour lives fully lived and the impact they had on the world.

Have you ever stopped to think about whose story in your life deserves to be told?

Have you considered documenting your family history?

When we want to learn about something, we turn to Google, but what about the stories that are not there?

The ones that exist only in memories, passed down through conversation but never written down?

My friend Gaye Steel, former marketing manager of McDonald’s and Telstra, once said,

“If you can’t be found on Google, you don’t exist.”

Of course, we know that is not true.

Our lives, relationships, and impact are not measured by search results. But in today’s world, if a story is not documented, it can be easily forgotten. That is why storytelling matters. It ensures the people and moments that shape us are remembered.

Many people throughout history are invisible in the digital space, and I have made it my mission to change that. The National Library has archived my blogs as part of Australia’s digital history, recognising the importance of recording our experiences. But you do not need to be a writer or historian to ensure that the stories of your loved ones are preserved.

One simple step is to label your treasured photos. Add names, dates, and locations to the back of old family pictures. Tell the stories behind sentimental objects in your home. Even a short note explaining why something matters to you can turn an ordinary object into a meaningful piece of family history.

My own family’s history is deeply tied to the Illawarra. My maternal ancestors arrived in Kiama in 1831, and my paternal family settled in Dapto in 1841. The men in my family were well documented, but the women’s stories were largely missing.

My great-grandmother’s obituary, which only refers to her as “Mrs John Lindsay,” speaks volumes about the era in which she lived. It highlights how women were often defined by their husbands with their own identities overshadowed. Despite being described as an “ideal wife and mother,” her individuality, accomplishments, and personal story were left untold. It raises the question of how many other women’s legacies have been reduced to a mere mention in relation to their husbands.

When my parents passed away, I realised there was no public record of them, no trace of their lives online. Growing up, we did not even have family photos displayed in our home. I only discovered a picture of my mother through a Jamberoo Family History Facebook post.

That moment changed everything for me. My cousin, Mark Emery, has been documenting our family history for The Bugle, and through his research, I found my parents’ wedding photo and a beautiful image of my mother at 15. By writing about my parents, I have not only preserved their names but kept their stories alive, ensuring future generations can find them, remember them, and understand their lives.

My own journey has been shaped by storytelling. After leaving home and marrying young, I unexpectedly became a farmer’s wife. Later, I managed a pharmacy, but a series of armed robberies deeply affected me – an event that forced me to re-evaluate my path.

Stepping away from pharmacy, I found purpose in community engagement. I helped establish the Kiama Wine Show, promoted dairy through school programs like Picasso Cows, and was ultimately named Kiama’s first Electorate Woman of the Year. These experiences reinforced something crucial.

For years, agriculture faced negative press, and a friend in marketing gave me invaluable advice. “If you don’t tell your story, others will tell it for you.”

Recognising the need to change this, I  was established a charity to support young agricultural advocates in developing their storytelling skills. Over two decades, the charity worked with top journalists to train young people in crafting compelling narratives, ensuring that their voices were heard and their contributions to agriculture were recognised.

If we do not tell our own stories, others will tell them for us, or worse, they will not be told at all.

More recently, I made the difficult decision to close the charity I had been running. The challenges of working with schools post-COVID, combined with my growing passion for local storytelling, led me to refocus my energy on my own community.

The Bugle covered some of my community talks, and before long, they invited me to write for them. What started as pro bono work turned into a contract role covering council and feature stories.

The most rewarding part of this work is meeting and interviewing fascinating people, uncovering stories that would otherwise go untold.

Throughout my career, I have learned that awards and recognition are not about personal validation. They are about elevating a cause. Every time I won an award, I nominated someone else the following year, and I encouraged them to do the same. I am particularly passionate about the Hidden Treasures Honour Roll for regional women. Last year, I nominated three local women. They were honoured to be included, and now they are eager to nominate others in turn.

We all have stories worth telling, whether they are our own or those of people we admire. So, I leave you with a few questions.

  • Who in your life has a story that should be shared?
  • Have you considered documenting your family’s history?
  • Would you like to learn how to record these stories?

Let’s make sure the voices of those we love are not lost to time. Whether it is writing a blog, labelling old photos, or simply sharing memories with the next generation, every story we tell adds to the rich tapestry of history.

#Storytelling #DigitalLegacy #FamilyHistory #PreservingMemories #LocalHistory #Kiama #TheBugle #CommunityStories #DocumentYourStory #HistoricalRecords